kiyokonetwork:

@hayleykiyoko: ‘Kiyoko makes a new normal feel within reach — where acceptance replaces tolerance, and where young people and young artists who break sexual and binary traditions can feel comfortable without fear of industry reprisal.’ – Alex Blynne ❤️ @outmagazine #power50 📸: @andyboyle

hayleyikiyoko:

I have been working on finding my voice for years. As an artist, I always want everything I create to represent what my soul feels and sounds like – whether it’s a video concept or a lyric or melody. Two years ago on a rare rainy day in Los Angeles, in a songwriting session with Owen Thomas and Lily May Young, I was venting my frustration about my music not connecting the way I wanted it to. Lily looked me in the eye and asked, “Tell me something nobody knows about you, something you are afraid to sing about?“ I immediately thought, well I like girls and that’s what I want to sing about, but even then I struggled to say it out loud. Finally, I told Lily that I always say “you” and “them" and never the pronoun “her" in all my songs because I was afraid it wouldn’t connect. We talked more about concepts and my experiences, and how I loved the idea of stealing another guy’s girl because that was always a fantasy of mine. Growing up, everything I did was always about girls. I took dance because of girls. I got involved in student council because of girls. Not that I ever expected any of them to like me back, but I just felt comforted being around them, even if I could never date them. So there we were. The song “Girls like Girls" was born.

hayleyikiyoko:

It’s tough as an artist to have such a specific vision for your video in mind when you write a song. Reaching out to directors is like going on blind dates and trying to find someone who sees the exact vision behind your music, which can be really difficult.